Exhausted from last week’s astonishingly brilliant performance, this week Bill Shatner is literally phoning it in — so bored with Star Trek that he can’t even be bothered to say all five digits of this week’s stardate. Meanwhile, the Enterprise is trapped in a thing, unable to escape until they do another thing. Or something. Whatever.
A nameless and unknowable monster which has destroyed whole star systems and wiped out an entire Starfleet crew is now heading towards the most populated part of the galaxy. The only things standing in its way: a dramatic soundtrack, a memorable guest actor, an incredibly confident production, and William Alan Shatner. It doesn’t stand a chance.
This week, on Untitled Star Trek Project, Joe and Nathan sit down to watch a sentimental sci-fi favourite from their youth, only to discover that it’s really just a police procedural where some of the regular cast get to do funny voices. Still, they get to see Marina menacing people with a gun, so there’s that, I guess.
This week, Star Trek takes its first ill-judged stab at the Gothic romance genre. Will Beverly fall for her dead grandmother’s lover (sorry), a rangily unattractive anaphasic ghost who encourages her to give up her job and to stand by helplessly while he attacks her friends? Or will she learn a valuable lesson about not dating sociopathic men? (Temporarily and no respectively, it turns out.)
Previously, on Star Trek: Deep Space Nine: Tired of being a supporting character in a thankless role, Michael Eddington leaves DS9 to star heroically in a TV show which we never see and which exists entirely in his own imagination. After most of the cast and crew are killed by Cardassians — which can happen — and he himself is imprisoned for treason, he is recruited by Sisko for one final mission — to stop a deadly attack on Cardassia that is also entirely imaginary. Hero, traitor, or just some asshole with bad hair and a penchant for lavish Broadway musicals? Let’s find out.
