It’s 1966 on board Enterprise this week, with all the horrific male chauvinism that implies. So when three glamorous women beam aboard wearing fashionably asymmetrical sequinned dresses, it’s soon apparent that they have been promised rich husbands by the charmingly ridiculous Harcourt Fenton Mudd, a pantomime pirate with a gap-toothed smile, a beautifully waxed moustache and some alarmingly luxuriant chest hair. It’s kind of fun, but is the chauvinism too high a price to pay?
Tensions are running high this week, as the Enterprise is attacked by a series of regular geometric solids and the bridge crew’s morale starts to crack under the pressure. Is this a ropey and glacially paced moment of disposable 60s TV, or the beginning of something indescribably magical?
When a metal box containing seven strange creatures lands outside his village, gentle giant Oleg (Buck Maffei) leaves a pregnant wife and an ailing mother in his humble yurt and trudges off to present the creatures with his people’s traditional gift of welcome — a set of giant novelty spears. This simple act of hospitality is met with violence, and soon matters escalate despite Oleg’s repeated attempts to appease the newcomers’ anger — giving one an affectionate hug, offering the others his precious polystyrene boulder, and finally trying to hold down the box when the wind threatens to blow it away. A heartrending story of faith and hope in the face of indifference and cruelty. Five stars.
Gornfest 2025 continues this week on Untitled Star Trek Project, as we head back to 1967 — when the Gorn were just a single rubber lizard in a spangly minidress and the Federation was barely a glint in Gene L. Coon’s eye. Iconic, memorable and visually striking — this is why nerds still podcast about the show 58½ years later.
A terrifying cave monster attacks a bunch of miners in pastel jumpsuits and burns them alive: it must be killed to ensure a continuing supply of raw materials for the engines of capitalism. But then, of course, we reach out, learn that the monster is a person, and thereby discover a terrifying truth about ourselves. A triumph: literally the thing that Star Trek is for.
