Tensions are running high this week, as the Enterprise is attacked by a series of regular geometric solids and the bridge crew’s morale starts to crack under the pressure. Is this a ropey and glacially paced moment of disposable 60s TV, or the beginning of something indescribably magical?
What thee are about to see comes down from the time of the beginning, without change. This is the Vulcan heart. This is the Vulcan soul. This is our way.
In this Classic Episode of Untitled Star Trek Project, Joe and Nathan find themselves unexpectedly involved in a fight to the death — for the love of a beautiful woman!
When the Enterprise takes on board an inexplicably touchy and unreasonable box of flashing lights dangling from a fishing line, hilarity ensues. Also, racism.
A nameless and unknowable monster which has destroyed whole star systems and wiped out an entire Starfleet crew is now heading towards the most populated part of the galaxy. The only things standing in its way: a dramatic soundtrack, a memorable guest actor, an incredibly confident production, and William Alan Shatner. It doesn’t stand a chance.
In one of the best episodes in Star Trek history, our show learns very early on that it can shoot for ridiculous and hit funny and entertaining. What more can we say? It’s brilliant.
A young woman wearing fabulous boots materialises on the Enterprise, renders the crew unconscious, and then removes Spock’s brain. And soon we discover — to our horror — that everyone else involved in making this episode has had their brain removed as well.
The crew of the Enterprise find themselves in a weird and beautifully directed simulacrum of Tombstone, Arizona with a couple of hours to kill before their certain death at the hands of Wyatt Earp’s gang of off-puttingly ugly cowboys. Meanwhile, we all learn a valuable lesson about why Star Trek is superior to real TV westerns. A classic.