They were victorious. But Enkidu fell to the ground, struck down by the gods. And Gilgamesh wept bitter tears, saying, “He who was my companion, through adventure and hardship, is gone forever.”
Now this is what Star Trek is about — kind, competent people solving a space problem, while learning about the importance of storytelling, connection and understanding. Magnificent.
The absence of Robin Williams and the presence of Rick Berman are both keenly felt this week, as a normal day at the office for the Enterprise-D becomes merely a mildly diverting day at the office. The cause: an elegantly named time-travelling confidence trickster, who nicks a bunch of stuff so he can put it on eBay and pretends that everything here is much more thrilling than it actually is. Let’s say three-and-a-half stars, but two of those stars are for Marina Sirtis’s performance.
This week, the Enterprise crew worry unnecessarily about upending the lives of people living under a weird-ass conservative regime, only to find that those people are desperate to get out and there is no good reason at all to prevent them. Also, Deanna has sex, with unfortunate results.
This week, on Untitled Star Trek Project, Joe and Nathan sit down to watch a sentimental sci-fi favourite from their youth, only to discover that it’s really just a police procedural where some of the regular cast get to do funny voices. Still, they get to see Marina menacing people with a gun, so there’s that, I guess.
First broadcast on Monday 21 June 1993
and Monday 20 September 1993
After their critically acclaimed attack on Earth on Stardate 44001.4, the Borg are back with a terrifying new plan — to pad out the the running time of the Star Trek: The Next Generation Series 6 finale and Series 7 opener. Meanwhile, Deanna is amused by Data’s porn consumption, Nathan is impressed by Beverly’s approach to command, and Joe is distracted by the memory of much more enjoyable Star Trek episodes.
This week, Star Trek takes its first ill-judged stab at the Gothic romance genre. Will Beverly fall for her dead grandmother’s lover (sorry), a rangily unattractive anaphasic ghost who encourages her to give up her job and to stand by helplessly while he attacks her friends? Or will she learn a valuable lesson about not dating sociopathic men? (Temporarily and no respectively, it turns out.)
Well, everyone hates Genesis obviously, but why? It’s silly, of course, it doesn’t attempt to get the science right, and everyone recovers beautifully during the last ad break. But that’s just Star Trek, isn’t it? Isn’t it?
After seven years of thorny space problems and some of the most ingenious space solutions in Starfleet history, what do we have left to learn? Something about tachyon scans and anti-time, inevitably, but also something about the enduring power of love and friendship. Let’s see what’s in here.
