Star Trek: Voyager

In this week’s meeting of the Jeri Ryan Appreciation Society, we watch the most aggressively average Star Trek episode the Randomiser can find, only to discover that there’s still a lot of fun to be had — hilariously sluggish action scenes, a shockingly low-effort Intransigent Alien Race, and some wonderfully subtle and nuanced performances from Ethan Phillips, Tim Russ and Jeri Ryan.

This week, we are properly introduced to Voyager’s latest Intransigent Alien Antagonist, in preparation for a thrilling two-part epic in a couple of weeks’ time. And things go pretty well, on the whole, despite (or perhaps because of) some interpersonal conflict between two important cast members and their characters.

It’s business as usual on Star Trek this week, as the crew of Voyager find themselves in an episode of Secret Army which has been cast, written and directed by latex-headed aliens in Nazi uniforms. Will Voyager’s extensive back catalogue of holodeck programs persuade the Hirogen that there’s more to life than festooning your bulkheads with human skulls? Or will the Captain be forced (reluctantly) to kill Seven of Nine first?

This week, Joe and Nathan stare in wonder at an episode of Voyager that gets everything right — a compelling hook, a couple of memorable and significant visuals, a clear and straightforward time loop premise, and a human story of guilt, atonement and forgiveness. One of the best episodes in Star Trek history.

This week: a clever script, a complete absence of banter, a frog alien that scores zero on the B’omar Scale, astonishingly good incidental music by Mahler and Tchaikovsky, and two outstanding performances from Mark Harelik and Kate Mulgrew — all working together perfectly to create one of Voyager’s Best Episodes Ever. Enjoy. (You will.)