WEBVTT

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This transcript was created on 2026-05-01 at 22:12:48

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Hey, Joe. Hi.

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So, we're doing something a little bit different.

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We've only done one of these before.

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We're doing an episode of Short Tracks, and it's series 2, episode

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two, made to accompany series 2 of Discovery, and it's the Trouble

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with Edward, starring John Benjamin.

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Short Trek, so good.

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I've said to you, I wish it was a much longer episode, which is

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the highest accolade I could possibly give it.

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Do you know, I really like how short the short treks are.

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There's something about telling a story within that scope, and

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there are some that tell more serious stories, but again, within

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that scope, things, there's one with Saru, which I think is

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magnificent, and plays into the season a little bit later, there's

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a magnificent one set on Discovery, 100s of years in the future.

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Why is discovery, 100 years in the future?

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We don't know, and it's magnificent as well. and they're just sort

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of short story length and I really like it.

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The 1st one we watched the, was it Children of the Revolution?

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Children of Mars, which has... that was incredible.

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That was nearly no dialogue.

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What surprised me watching it was.

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I figured these were gonna be cheap.

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And it had the most spectacular effect secret and fight sequences

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in that one as well.

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I was like, oh, okay, so they are genuinely pouring some resources

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into this to trail these shows.

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Yeah, I think it's about trailing the shows and I think it's also

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about experimenting in some ways.

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Do you?

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Yeah, I do.

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What struck me about this was, you know, we're in that sort of era

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of Kurtzman Trek now, where 15 minutes into the episode, that

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could be where the pre-title sequence ends.

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Yeah, they're all sort of like pre-title sequences, aren't they?

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But little stalk is in their own right.

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You're right.

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There's enough happening here. like that it tells a narrative.

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In fact, there was a couple of bits.

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I was like, why have they included that, but the 1st bit they

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included because they have to connect it to Strange New World

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somehow.

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Otherwise, it is just a random story.

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They're actually connecting it to Discovery series too.

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So that's the enterprise set that they make for the end of

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Discovery Series 2.

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And of course, and Mount is the captain in Discovery Series 2.

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So strangely worlds is just a sort of fanboy dream at this point.

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And in fact, no episode of Lower Decks has aired yet.

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So they've commissioned lower decks a year before this aired in

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October 2018.

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This goes out in October 2019.

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And so this, I think, is the 1st actual out and out Star Trek

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comedy.

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Ah, okay.

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And it's doing the thing that I'm sure a lot of people were sort

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of talking about, which was, well, they've got the money now.

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Can they do the triple episode where you can see them multiplying

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1000000s of times.

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The answer is yes, but they're only going to do it here in this

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short tricks.

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Yeah, yeah.

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So they're having their cake and eating it. not having to do it as

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a whole episode, but they are sort of getting that talking point

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out of the way.

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And John Benjamin is absolutely superb.

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So he is...

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He is the Ridge Barclay of new iteration of Star Trek.

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Well, except he's obnoxious and not likeable, which is really

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great.

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An idiot.

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Yeah, yeah, yeah.

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So he's in Bob's Burgers and his archer in Archer.

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And it's Archer?

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Yeah, yeah, yeah, yeah.

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And he always has the same voice.

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Like he sounds the same as Bob in Bob's Burgers and the same as

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Sterling Archer does in Archer.

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But the characterisation is so different that you never think of

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the other characters.

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So smooth.

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Yeah.

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I mean, he's an idiot as well, sometimes. that's right.

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And obnoxious, but he's not quite the sort of wallflower jerk that

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Edward Larkin is in this.

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Do you know, although weirdly, I was less interested in his

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character and more interested in this new captain.

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I thought we were being introduced to.

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For the, what's her name?

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the captain?

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She's Lynn Lucero.

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And so she's been handed this science vessel and she's going go on

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to have a glittering career and her own, you know, Star Trek show

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and have lots of missions and unfortunately she's got this loser

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on her shift. incompetent loser that basically brings the entire

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ship down in the 1st week by feeding the tribbles.

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And it's her, like, at the end where she's facing, you know, the

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ball.

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What the hell happened, you know, you had all of this promise?

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And she just says, doesn't she?

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He was an idiot.

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So great.

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I think I think what is so good about it is that what's hugely

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important to Star Trek is competence and because it's a show about

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smart people solving space problems. everyone's kind of super

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competent at their jobs.

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And in fact, on this ship, they're kind of ridiculously

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competent.

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Like Lean is really competent and there's all these other

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scientists sort of surrounding them who are all great.

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And Larkin is very good at his job in the sense that he's a good

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biologist, but he's just bad at everything else.

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Not a team player, is he?

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And so you see all of these things that you see elsewhere, but

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that you've never seen in Star Trek before.

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And so the incongruity of that is just really enjoyable.

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Even just that 1st scene where he can't get his pad to work.

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Like he refuses to allow the scientist sitting next to him.

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It still says it's broken, she fixed it.

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Yeah, yeah, yeah, yeah, yeah.

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No, even the last scene with him where he's got this entire

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tsunami of triples coming up behind him and he's like, you said I

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was an idiot and I was wrong and I'm not wrong.

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And then the treble was just all land on him.

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I'm like, oh, bless him.

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He was never going to have a glittering career and stuff.

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No, no.

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Yeah.

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All those anonymous messages.

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I could see it, you know.

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I mean, we don't get to know this crew too well, but there's

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potential here, you know, the 1st another little spinoff.

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Well, I mean, I think the idea of it is that it's supposed to look

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like that, and it does the thing that the spinoffs always do, that

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both Deep Space Night and Voyager do, which is including a cameo

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from the parent show at the beginning.

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And the hilarious thing about it is that that cameo, which is her

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and Pike, talking about the new job, and it's all about the

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difficulties that she's not going to have with the people under

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her command.

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And, you know, Pike makes a joke about how, give them an inch and

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they'll eat you alive and then they both kind of laugh

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uproariously at that.

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And then, and then he tries to warn her that some of the

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scientists under her command won't be as good as her.

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And she goes, no, no, of course, many of them will be better.

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And again, we have a sort of joke about that.

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So there's all of that stuff about how important competence is to

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Star Trek, and then we drop John Benjamin into the show with

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hilarious results.

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Talking about the comedy of this, it leads into my favourite type

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of comedy as well, because this is very funny, and you and me have

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talked a lot about Star Trek comedy that hasn't landed.

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But this is very funny because it is so absurd.

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But it's also a bit dark in places. very quickly as well.

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So there's a sequence where there's poor woman's in like a turbo

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lift and the tribles are filling and she's literally drowning and

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you're like, did she die, you know, and suddenly the tribles are

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in all the circuitry and you literally see them eating the ship

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alive and it's like, I'm not sure they're going to make it out of

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this, you know.

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And that, and that sort of, I know, it's still funny, but it's got

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a bit of an edge to it and I like that.

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Well, I think Kurtzman trek at this point has been darker

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generally than 90s trek was.

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Comedy is to come, Nathan, isn't it?

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Yeah, well, when the comedy actually kind of happens in lower

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decks, Like, that's very violent in places and kind of dark in

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places, but there's a real warmth to that.

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You know, the thing that we love about that is those 4 characters

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who we just love and they're adorable.

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And that's absent from this because Larkin is so fabulously

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unlikeable.

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But I feel like for the best comedy in Kersman track.

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Oh, certainly the best I've seen so far is that mad pantomimic

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Christina Chong when she was in that princess dressed with her

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fabulous dog and strange new wells.

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Actually, it can handle the comedy brilliantly.

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Yeah.

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Because it's a lighter show than discovery as a whole.

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And its characters are all very funny.

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They're all in that sort of TOS mode, depending on where the

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episode lands, they can either be very funny or very serious.

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Yeah, yeah.

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And, you know, Stranger Wills can be very serious and very dark

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and very, very...

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Yeah, yeah, yeah.

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But everyone is so relaxed.

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There's no space people in the show and that's something that I

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really appreciate and something that really harms the way the 90s

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work.

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Everyone is a sort of space person.

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Everyone is a little bit more relaxed in Kurtzman Trek, and even

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in discovery, which is at times a bit overwrought. that people are

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a little bit more identifiably human, I think.

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I'd say discovery is the closest to 90s trek, where people are

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their jobs.

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I mean, they are a little more relaxed, but, you know, we have

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watched one recently where they were just about on a load of

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technobabble in the last scene.

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I was going, oh, yeah, here we are back in 90s Shrek again.

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Good techno babble.

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Good turnobabble and good character work, but still, they're still

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their jobs for the most part.

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Whereas, yeah, you're right.

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The best thing about Strangers New Worlds is they're just

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wonderful people to be around.

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People, not jobs, people. that's right Well, what do you think?

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Do you think we should go in?

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Well, it's only 15 minutes long. not going to take us long.

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All right.

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I will count as in. 5, 4, 32, one.

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And we're off.

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So it's the discovery titles.

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Well it's discovery titles, isn't it?

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Is it the one that goes...

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Oh, no, it's not, is it?

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That's not in you.

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No, no, no, that's not here yet, but look at the trouble with

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Edward, the way the letters all Judder and then reproduce.

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And look how beautiful this looks.

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Just this shot of the enterprise.

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It could be a series of stars flowing passing.

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Yeah, yeah, no, going past Earth.

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It's wonderful.

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So Lynn hasn't been in the show.

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I thought that perhaps I'd missed her in Discovery series too, but

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she's...

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I was trying to picture Marcina as something else.

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I don't know.

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Her name's Rosa Salazar.

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I haven't seen her in anything.

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Can we talk about the, the, the, the enterprise set?

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was gorgeous.

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So they tease the Enterprise set earlier. we haven't seen it yet.

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We do see it at the end of series 2 of Discovery, and it's very

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blue and red.

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And so it's very much them recreating the 60s set, but with, um

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you know, with a budget and space.

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But even so when it comes time to making it a show, they kind of

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go, we need to spend more money and have much bigger sets and so

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they...

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People must have been salivated watching this then, given, yeah

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this is all coming.

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What impressed me so much was just how smooth that tracking shot

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was as walking along.

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I'm like, we're just in a different era from 90s right now.

248
00:12:03.240 --> 00:12:04.139
Yeah, yeah.

249
00:12:04.200 --> 00:12:08.580
Look, and, and, gorgeous, Captain Mouse.

250
00:12:08.639 --> 00:12:09.240
I know.

251
00:12:09.240 --> 00:12:11.519
His hair is not quite as tall.

252
00:12:11.639 --> 00:12:13.679
Oh, this woman reminds me of.

253
00:12:13.740 --> 00:12:16.799
Did you ever watch that episode of, you know, Charlie Brooker

254
00:12:16.799 --> 00:12:17.159
series?

255
00:12:17.220 --> 00:12:18.480
The Star Trek one.

256
00:12:18.539 --> 00:12:20.460
Oh, yeah, yeah.

257
00:12:20.460 --> 00:12:21.600
HMS Callister.

258
00:12:21.659 --> 00:12:24.419
The woman in that, and sounds very like that woman.

259
00:12:24.480 --> 00:12:26.460
That was so grim.

260
00:12:26.519 --> 00:12:28.980
Holy crap, that was so dark, wasn't it?

261
00:12:29.039 --> 00:12:30.899
Have you heard they're doing a follow-up for that?

262
00:12:31.019 --> 00:12:32.399
Yeah.

263
00:12:32.399 --> 00:12:32.940
Wow.

264
00:12:33.000 --> 00:12:35.940
So here we are at the conference table.

265
00:12:36.000 --> 00:12:39.059
And notice that it's got the thing on the on the desk, which is

266
00:12:39.059 --> 00:12:41.100
the thing that they have in original trek, you know, the

267
00:12:41.100 --> 00:12:44.460
triangular screen, which they actually have like things on.

268
00:12:44.519 --> 00:12:47.399
And so here is Edward.

269
00:12:47.460 --> 00:12:49.919
He sort of looks the part, doesn't he?

270
00:12:49.980 --> 00:12:52.500
It's only when he opens his mouth, then you realise, 0 dear.

271
00:12:52.559 --> 00:12:56.279
No, he does sound of look like a bit of a schlubby guy with a sort

272
00:12:56.279 --> 00:12:57.539
of gray beard and stuff.

273
00:12:57.779 --> 00:13:00.059
I wish I could hear it. his voice now.

274
00:13:00.120 --> 00:13:01.019
I want to hear it.

275
00:13:01.080 --> 00:13:05.100
Yeah, he's so he's that's just Archer.

276
00:13:05.399 --> 00:13:09.240
Yeah, yeah, like the captain's getting the 1st signs there.

277
00:13:09.299 --> 00:13:11.639
She's got a hand to my mouth like, oh, yeah.

278
00:13:13.559 --> 00:13:18.360
I think the really funny thing about this scene is something that

279
00:13:18.360 --> 00:13:20.879
you'd never thought of before, but the thing that he's obsessed

280
00:13:20.879 --> 00:13:23.039
with is the prospect of eating them.

281
00:13:23.399 --> 00:13:28.740
He goes off skinned a couple to them and fed them to that man.

282
00:13:28.799 --> 00:13:32.639
He's the food to know. who's there sitting next to the captain.

283
00:13:32.700 --> 00:13:35.580
I told you it was dark, didn't I?

284
00:13:35.639 --> 00:13:36.899
Yeah, I said it was dark.

285
00:13:36.960 --> 00:13:40.799
But when he says Noel's a foodie, Noel really enjoyed it and Noel

286
00:13:40.799 --> 00:13:42.899
looks across at the captain and like shakes his head.

287
00:13:45.240 --> 00:13:49.679
So what's he wants to basically make them a food source for

288
00:13:49.679 --> 00:13:50.220
another planet.

289
00:13:50.279 --> 00:13:51.179
Is that right?

290
00:13:51.240 --> 00:13:53.940
He wants to wipe out an entire species.

291
00:13:53.940 --> 00:13:57.179
Wait, they don't breed very quickly.

292
00:13:57.240 --> 00:13:58.919
Yeah, no, some foodie.

293
00:13:58.980 --> 00:14:02.039
They don't breed very quickly and so he has to up their breeding

294
00:14:02.039 --> 00:14:04.559
rate, which is why they become a problem.

295
00:14:04.620 --> 00:14:06.960
They breed very slowly.

296
00:14:07.259 --> 00:14:10.200
There was a great line at the end as well, wasn't it?

297
00:14:10.259 --> 00:14:12.779
saying that they've somehow made their way into Klingon space.

298
00:14:12.840 --> 00:14:13.620
Yes.

299
00:14:13.679 --> 00:14:16.860
And all those jokes and trials and tribulations suddenly makes

300
00:14:16.860 --> 00:14:17.039
sense.

301
00:14:17.100 --> 00:14:19.740
Time for the great triple...

302
00:14:19.740 --> 00:14:24.840
But of course, remember the fact that tribbles don't like Klingons

303
00:14:24.840 --> 00:14:30.720
is what... is what reveals the Klingon spy in trouble with

304
00:14:30.720 --> 00:14:31.200
tribles.

305
00:14:31.259 --> 00:14:32.220
The line.

306
00:14:32.279 --> 00:14:34.860
This, a Morse letter me of the Empire.

307
00:14:35.399 --> 00:14:41.700
But so this discussion as well. where she's going, are they

308
00:14:41.700 --> 00:14:44.940
intelligent, because it would be wrong to eat them because they're

309
00:14:44.940 --> 00:14:45.419
intelligent.

310
00:14:45.480 --> 00:14:48.480
And he thinks she's asking, are they intelligent because they

311
00:14:48.480 --> 00:14:49.440
might be hard to catch?

312
00:14:49.440 --> 00:14:51.840
And he says, no, no, they're really easy to catch.

313
00:14:51.899 --> 00:14:54.179
And if they are intelligent, we have a problem with that.

314
00:14:54.240 --> 00:14:56.639
I can just breathe them so they're brain damaged and that would be

315
00:14:56.639 --> 00:14:56.879
fine.

316
00:14:56.940 --> 00:15:00.480
And everyone's kind of looking kind of horrified at him because he

317
00:15:00.480 --> 00:15:01.379
doesn't get it at all.

318
00:15:01.440 --> 00:15:03.720
There is another lane to this though.

319
00:15:03.779 --> 00:15:06.059
I know what you're saying is appalling, yeah.

320
00:15:06.120 --> 00:15:07.679
And he's fidgety, you know.

321
00:15:07.740 --> 00:15:10.980
But like, have you ever been that sort of slightly less competent

322
00:15:10.980 --> 00:15:12.360
person surrounded by...

323
00:15:12.360 --> 00:15:13.919
And you see the way they're giving each other?

324
00:15:13.919 --> 00:15:15.419
That's side that he's giving now.

325
00:15:15.480 --> 00:15:18.720
Look at that look where it's just like and then this... all sort

326
00:15:18.720 --> 00:15:23.639
of giving sarky slide eye to each other, which is a bit not nice.

327
00:15:23.820 --> 00:15:25.980
Oh, they know that.

328
00:15:25.980 --> 00:15:28.620
To be fair, some pretty terrible things.

329
00:15:28.679 --> 00:15:30.179
Oh, yeah.

330
00:15:30.240 --> 00:15:31.440
Now he's doing what I'll do.

331
00:15:31.500 --> 00:15:34.019
Well, look, he's standing there next to the food dispenser going

332
00:15:34.139 --> 00:15:36.240
Oh, no one really likes her, you know.

333
00:15:36.299 --> 00:15:37.799
Yeah, yeah, bath.

334
00:15:37.799 --> 00:15:40.080
Terrible captain, stroke manager.

335
00:15:40.139 --> 00:15:43.500
Do you think Noel's getting a salad just to kind of emphasise that

336
00:15:43.500 --> 00:15:44.820
he doesn't like eating meat?

337
00:15:44.879 --> 00:15:45.480
Nothing, you know.

338
00:15:45.539 --> 00:15:45.960
Yes.

339
00:15:48.059 --> 00:15:49.740
What is it?

340
00:15:49.799 --> 00:15:51.000
He gives a triples to eat.

341
00:15:51.059 --> 00:15:53.639
It just looks like, so, you know, when he sort of sprinkles

342
00:15:53.639 --> 00:15:54.419
something on the twin.

343
00:15:54.480 --> 00:15:57.360
No, I think that's the DNA thing that makes them breed.

344
00:15:57.419 --> 00:15:58.799
I don't think he's feeding them.

345
00:15:58.860 --> 00:16:01.259
I think he's genetically engineering them with that thing.

346
00:16:01.440 --> 00:16:04.740
It's like random arm. in the background of the shop.

347
00:16:04.799 --> 00:16:06.720
But no reason to make it look science-y.

348
00:16:08.340 --> 00:16:12.419
It's so wonderful when they start popping out of that box and then

349
00:16:12.419 --> 00:16:13.740
the top pops off, don't it?

350
00:16:13.799 --> 00:16:17.820
Yeah, yeah, no, so he just decides that he's going to he's going

351
00:16:17.820 --> 00:16:21.659
to make them breed. even though you don't want to.

352
00:16:21.659 --> 00:16:25.320
This was a session. where Marv was watching and got very

353
00:16:25.320 --> 00:16:25.740
confused.

354
00:16:25.799 --> 00:16:28.200
He didn't realise I was watching Star Trek because he doesn't

355
00:16:28.200 --> 00:16:30.779
think Star Trek can do comedy was out.

356
00:16:30.840 --> 00:16:32.879
He just walked out of the room and I was like, well, you don't

357
00:16:32.879 --> 00:16:34.080
like good telly, so off you go.

358
00:16:34.320 --> 00:16:36.480
I think it's...

359
00:16:36.539 --> 00:16:39.059
The end of this where he refuses to let go of the end of the

360
00:16:39.059 --> 00:16:39.419
conversation.

361
00:16:39.480 --> 00:16:42.360
Yeah, she's like, no, no, the conversation is over.

362
00:16:42.419 --> 00:16:44.639
And just her reaction.

363
00:16:44.700 --> 00:16:48.419
She's really funny in this scene because she kind of doesn't want

364
00:16:48.419 --> 00:16:49.200
to play along.

365
00:16:49.259 --> 00:16:55.559
And just that thing about, well, they're anonymous, which means I

366
00:16:55.559 --> 00:16:57.659
you don't know who sent them.

367
00:16:57.720 --> 00:16:59.159
You know, like it's...

368
00:17:00.419 --> 00:17:04.440
We have this thing at work called Let us know, right, where you

369
00:17:04.440 --> 00:17:08.339
have to write about the managers and it's all anonymous, but they

370
00:17:08.339 --> 00:17:12.180
know who's written every single one of course they do.

371
00:17:13.019 --> 00:17:15.839
Depends on how vile you are.

372
00:17:17.400 --> 00:17:23.819
Yeah, and this is this is the sort of um sort of interrupty back

373
00:17:23.819 --> 00:17:27.119
and forth conversation that they don't do in 90s trek that feels

374
00:17:27.119 --> 00:17:28.380
very believable.

375
00:17:28.440 --> 00:17:30.059
This is the sort of conversation you and I have, you know.

376
00:17:30.119 --> 00:17:36.059
And he's being insubordinate as well, which is, which is pretty

377
00:17:36.059 --> 00:17:36.359
great.

378
00:17:37.200 --> 00:17:38.880
You are going.

379
00:17:38.940 --> 00:17:40.380
Go. Just go.

380
00:17:40.440 --> 00:17:40.920
Yeah, yeah.

381
00:17:40.980 --> 00:17:45.299
Because he's just about trying to goad her into saying he's dumb

382
00:17:45.299 --> 00:17:49.440
and that's kind of and even just dumb as an insult.

383
00:17:49.500 --> 00:17:53.579
It's such a stupid child sort of insult and one that you would

384
00:17:53.579 --> 00:17:54.900
never hear on Star Trek.

385
00:17:54.960 --> 00:17:55.559
Here we go.

386
00:17:55.559 --> 00:17:57.000
Fire them out.

387
00:17:57.059 --> 00:17:59.819
We've never seen that before there goes, the lid comes off.

388
00:17:59.880 --> 00:18:01.680
Oh, no, is this where he's in his pants?

389
00:18:01.740 --> 00:18:03.240
This is where he's in his pants.

390
00:18:03.299 --> 00:18:05.640
Again, a thing that you would never see in Star Trek.

391
00:18:05.700 --> 00:18:07.319
And he's not pulling his stomach in or anything.

392
00:18:07.440 --> 00:18:11.339
He's very generously allowing himself to look as schlubby as

393
00:18:11.339 --> 00:18:11.579
possible.

394
00:18:11.640 --> 00:18:15.420
Those underpants, aren't they?

395
00:18:17.400 --> 00:18:22.380
You don't know this, but Nathan's got a steal of that of him in

396
00:18:22.380 --> 00:18:23.460
his pants behind him right now.

397
00:18:23.519 --> 00:18:26.579
But fortunately, Nathan's pretty head is right in the middle of

398
00:18:26.579 --> 00:18:27.660
the screen covering out.

399
00:18:27.720 --> 00:18:28.859
Thank God.

400
00:18:30.960 --> 00:18:37.019
So again, I think he's obsessing with eating them as well at this

401
00:18:37.019 --> 00:18:37.559
point.

402
00:18:38.579 --> 00:18:42.660
They have gauged those triples popping out of those other triples

403
00:18:42.660 --> 00:18:43.380
so perfect.

404
00:18:43.440 --> 00:18:44.940
Everyone's hilarious.

405
00:18:45.180 --> 00:18:46.920
Did you see him?

406
00:18:46.980 --> 00:18:47.759
But did you see him?

407
00:18:47.759 --> 00:18:49.079
Feel the mate on these.

408
00:18:49.140 --> 00:18:51.960
I mean, I would have gone the whole hog and just had him go, boy

409
00:18:51.960 --> 00:18:52.619
boy.

410
00:18:52.680 --> 00:18:54.059
Yeah, yeah, yeah.

411
00:18:54.119 --> 00:18:55.920
But they virtually go boying, don't they?

412
00:18:55.980 --> 00:18:57.660
That's so funny.

413
00:18:57.720 --> 00:19:04.380
This is the appearance of Bing Crosby singing Johnny Appleseed.

414
00:19:04.440 --> 00:19:05.819
Oh, yeah, yeah, yeah, yeah.

415
00:19:05.880 --> 00:19:10.079
Bing Crosby is, of course, the grandfather of Denise Crosby from

416
00:19:10.079 --> 00:19:13.259
Star Trek, the Next Generation.

417
00:19:13.319 --> 00:19:14.880
Yeah, yeah, yeah, yeah, yeah.

418
00:19:14.940 --> 00:19:18.119
So his grandfather, her grandfather suddenly appears on the show

419
00:19:18.119 --> 00:19:18.720
for the 1st time.

420
00:19:18.779 --> 00:19:21.119
And I had no idea.

421
00:19:21.180 --> 00:19:26.279
What I think is really fun about this is that you never, ever have

422
00:19:26.279 --> 00:19:32.700
a montage set to just a song, you know, and licensing songs, like

423
00:19:32.700 --> 00:19:34.859
I don't know about licensing Bing Crosby at this point.

424
00:19:34.920 --> 00:19:36.420
But licensing songs is expensive.

425
00:19:36.420 --> 00:19:39.720
And I always think that that makes a show seem more expensive.

426
00:19:40.319 --> 00:19:44.339
I will say, I will say there is a montage to it's only a paper

427
00:19:44.339 --> 00:19:45.839
moon and it's only a paper moon.

428
00:19:45.900 --> 00:19:46.859
Yeah, I like it.

429
00:19:46.859 --> 00:19:49.920
But it's sung by Jimmy Darren. not.

430
00:19:50.039 --> 00:19:50.579
Yeah, yeah, yeah.

431
00:19:50.640 --> 00:19:51.240
It's a cover.

432
00:19:51.299 --> 00:19:51.539
Yeah.

433
00:19:51.599 --> 00:19:52.440
Do you know what?

434
00:19:52.440 --> 00:19:55.740
I love, I don't know what the black officer's name is, but at the

435
00:19:55.740 --> 00:19:57.660
start of these scenes were, the tribles were multiplied.

436
00:19:57.720 --> 00:19:59.279
She's laughing and she's always cute.

437
00:19:59.339 --> 00:20:01.200
And then with each subsequent scene.

438
00:20:01.259 --> 00:20:03.180
Her reaction is getting more horrified.

439
00:20:03.660 --> 00:20:07.559
This where the guy walks in with the vacuum cleaner.

440
00:20:07.559 --> 00:20:08.880
The enormous food.

441
00:20:10.019 --> 00:20:12.119
That is so perfect.

442
00:20:12.119 --> 00:20:14.579
It looks very low tech as well, doesn't it?

443
00:20:14.579 --> 00:20:15.779
It's great.

444
00:20:15.839 --> 00:20:18.660
But you can hear it go, sort of...

445
00:20:20.220 --> 00:20:24.180
But she's also the one who gets to deliver the, I believe they're

446
00:20:24.180 --> 00:20:26.640
born pregnant line as well, which is pretty awesome.

447
00:20:26.700 --> 00:20:28.980
They've got the shot.

448
00:20:28.980 --> 00:20:31.859
Where they come from the overhead ham, you know, yep.

449
00:20:31.859 --> 00:20:34.920
Oh, woman in the turbo, if she's banging against the ceiling.

450
00:20:34.980 --> 00:20:35.519
Let me out.

451
00:20:35.579 --> 00:20:39.720
And then this where they're going through the corridors shooting

452
00:20:39.720 --> 00:20:40.619
triples.

453
00:20:40.680 --> 00:20:42.059
It's just so trashy.

454
00:20:42.119 --> 00:20:42.960
And in every shot.

455
00:20:43.079 --> 00:20:45.839
The triples are sort of going over the camera, aren't they?

456
00:20:46.500 --> 00:20:52.440
But this shot from outside the window is unbelievably. recovering

457
00:20:52.440 --> 00:20:54.119
every window as they arrived.

458
00:20:54.180 --> 00:20:57.420
It's what they would have done with the original series episodes

459
00:20:57.420 --> 00:20:58.140
if they could have.

460
00:20:58.200 --> 00:21:01.200
Yeah, you know, it's finally fulfilling all those fantasies.

461
00:21:01.259 --> 00:21:03.420
Well, and it's that thing.

462
00:21:03.480 --> 00:21:03.960
Oh, here we go.

463
00:21:04.019 --> 00:21:05.339
So this is the big final scene.

464
00:21:05.400 --> 00:21:08.400
She's trying to coax Edward off the ship, but he's too much of an

465
00:21:08.400 --> 00:21:10.380
idiot and he's too sure that he's right.

466
00:21:10.440 --> 00:21:13.440
It's surprised that they're having this sort of slagging off match

467
00:21:13.440 --> 00:21:18.180
tsunami of triples coming up.

468
00:21:18.180 --> 00:21:22.200
And the way he falls over.

469
00:21:22.259 --> 00:21:24.599
Yeah, yeah, yeah, yeah, yeah, yeah.

470
00:21:24.720 --> 00:21:26.460
It's a proper comedy fall.

471
00:21:27.000 --> 00:21:28.559
She just goes, oh, well, he's out.

472
00:21:28.619 --> 00:21:29.279
Shut the door.

473
00:21:30.960 --> 00:21:35.339
Oh, and that shot of the tribles just filling the camera and

474
00:21:35.339 --> 00:21:36.180
covering her up.

475
00:21:36.240 --> 00:21:38.400
And so here she is before the board.

476
00:21:39.119 --> 00:21:41.160
I mean look at that.

477
00:21:41.220 --> 00:21:45.180
Oh, yeah. 1000000s for the bloody thing.

478
00:21:45.240 --> 00:21:46.079
So good.

479
00:21:46.140 --> 00:21:47.099
Oh, good.

480
00:21:47.519 --> 00:21:49.740
Oh, this is great as well.

481
00:21:49.799 --> 00:21:54.359
Yeah, of course we learn that I wonder whether this set was

482
00:21:54.359 --> 00:21:57.900
actually used in Discovery Series 2 at the very end where they're

483
00:21:57.900 --> 00:21:58.680
being debriefed.

484
00:21:58.740 --> 00:22:00.299
I can't remember, but it's interesting.

485
00:22:00.420 --> 00:22:03.299
You know, I'm wondering if with all of these short treks, they

486
00:22:03.299 --> 00:22:04.619
just use the resources elsewhere.

487
00:22:04.740 --> 00:22:06.180
I said, let's just film this, something extra.

488
00:22:06.240 --> 00:22:06.900
Let's just use this.

489
00:22:06.960 --> 00:22:10.200
Oh, I think that I think there definitely is that.

490
00:22:10.680 --> 00:22:13.140
Yeah, I think it's cheaper.

491
00:22:13.200 --> 00:22:16.380
And sometimes like 2 of them, the Saru one and the Tilly one both

492
00:22:16.380 --> 00:22:20.400
feed into the later episodes, introduce elements that will come in

493
00:22:20.400 --> 00:22:23.460
later, which is kind of interesting. sad, Nathan. is I have

494
00:22:23.460 --> 00:22:27.059
actually seen, um, Cuzwanera episodes sort of are far worse than

495
00:22:27.059 --> 00:22:27.299
this.

496
00:22:27.359 --> 00:22:29.579
Oh, now I think this is genius.

497
00:22:29.640 --> 00:22:30.660
I think this is really good.

498
00:22:30.720 --> 00:22:31.980
This is great.

499
00:22:32.039 --> 00:22:33.240
Oh, yeah.

500
00:22:33.299 --> 00:22:36.539
I'm saying the short tracks probably shouldn't be better than the

501
00:22:36.539 --> 00:22:36.960
episodes.

502
00:22:36.960 --> 00:22:38.700
Yeah, yeah, yeah.

503
00:22:38.759 --> 00:22:41.279
But yeah, they're doing something different and I think that's

504
00:22:41.279 --> 00:22:43.440
really super, super fun.

505
00:22:43.500 --> 00:22:47.819
And I think playing with, like just getting John Benjamin in, who's

506
00:22:47.819 --> 00:22:49.740
a big name, all of that sort of stuff.

507
00:22:49.859 --> 00:22:53.099
It does that wonderful thing that really good comedy does.

508
00:22:53.160 --> 00:22:56.400
It just paces itself really well, and it starts off with a load of

509
00:22:56.400 --> 00:22:59.579
character scenes, and then the triples emerge, and then it gets

510
00:22:59.579 --> 00:23:00.839
worse and worse and worse.

511
00:23:01.019 --> 00:23:03.119
And suddenly it's furiously paced at the end.

512
00:23:03.180 --> 00:23:06.779
And then the cap with that scene where what defence could she

513
00:23:06.779 --> 00:23:10.140
possibly give against the fact that she lost her entire ship.

514
00:23:10.200 --> 00:23:11.339
Oh, he was an idiot.

515
00:23:11.460 --> 00:23:12.960
Boom.

516
00:23:13.380 --> 00:23:18.359
And even that gag, that final gag, which is so close to being not

517
00:23:18.359 --> 00:23:22.799
a gag, I think, because no one ever talks like that in Star Trek

518
00:23:22.799 --> 00:23:23.519
about anyone.

519
00:23:23.579 --> 00:23:27.480
And, you know, the nearest we've got, as you said, the nearest

520
00:23:27.480 --> 00:23:33.480
we've had to this is Barclay, who is loveable but awkward.

521
00:23:33.539 --> 00:23:34.980
You've never had anything like that.

522
00:23:35.039 --> 00:23:37.019
And so no one ever calls him an idiot. everyone's super

523
00:23:37.019 --> 00:23:39.779
embarrassed about calling him, you know, even giving him a

524
00:23:39.779 --> 00:23:40.500
nickname and stuff.

525
00:23:40.559 --> 00:23:45.660
And so just that stuff humanises them and makes comedy.

526
00:23:45.779 --> 00:23:47.099
Barclay was still composite.

527
00:23:47.160 --> 00:23:48.539
And he's one of us.

528
00:23:48.599 --> 00:23:50.759
He was extremely good at what he did.

529
00:23:50.819 --> 00:23:53.339
He just wasn't good socially. was the thing with him.

530
00:23:53.400 --> 00:23:57.420
So he's the reason that Voyager comes home, you know.

531
00:23:57.480 --> 00:23:59.400
Oh yeah, what was this all about?

532
00:23:59.460 --> 00:24:00.779
It's very strange.

533
00:24:00.839 --> 00:24:02.460
And so this is an ad.

534
00:24:02.460 --> 00:24:06.000
USS Ravenous.

535
00:24:06.059 --> 00:24:09.779
And so you've got these little twin girls adorably and they're

536
00:24:09.779 --> 00:24:11.519
eating tribbles from a thing.

537
00:24:11.579 --> 00:24:14.700
And what in what you don't properly realise is a special effect

538
00:24:14.700 --> 00:24:15.539
shot, I think.

539
00:24:15.599 --> 00:24:18.839
That woman is there pouring tribbles out of that box that can't

540
00:24:18.839 --> 00:24:23.039
possibly fit in there because they keep breeding in the box.

541
00:24:23.099 --> 00:24:24.779
She looks very confused, doesn't she?

542
00:24:24.839 --> 00:24:25.799
Oh, they're still coming.

543
00:24:26.220 --> 00:24:30.119
But the other thing is too, and you know, everything moves very

544
00:24:30.119 --> 00:24:31.319
fast when we were watching it.

545
00:24:31.380 --> 00:24:33.180
But he's put his own DNA.

546
00:24:33.240 --> 00:24:37.019
Like Edward has put his own DNA and the tribbles and like everyone

547
00:24:37.019 --> 00:24:41.400
kind of reacts to that as if he's sort of wanked into the tank or

548
00:24:41.400 --> 00:24:42.240
something.

549
00:24:42.299 --> 00:24:42.779
Do you know what I mean?

550
00:24:42.839 --> 00:24:43.859
into that hype.

551
00:24:43.920 --> 00:24:44.940
I wouldn't put it past you.

552
00:24:45.299 --> 00:24:47.519
It's my DNA.

553
00:24:47.519 --> 00:24:48.240
DNA.

554
00:24:48.299 --> 00:24:49.259
Yeah, yeah, yeah.

555
00:24:49.319 --> 00:24:49.740
Yeah.

556
00:24:49.740 --> 00:24:53.700
And the Edward Macronutrient is not currently approved by the

557
00:24:53.700 --> 00:24:55.799
Federation Food and Drug Administration.

558
00:24:55.859 --> 00:25:00.000
And then this warning here, fur may present choking hazard, and

559
00:25:00.000 --> 00:25:03.180
you should shave Syria with Edward Brand triple razor included.

560
00:25:03.240 --> 00:25:07.259
The little cartoon tripples are like, oh, we're pregnant.

561
00:25:07.319 --> 00:25:08.099
Pop, pop.

562
00:25:08.220 --> 00:25:09.900
And they're like Poochie, aren't they?

563
00:25:09.960 --> 00:25:13.619
They've got like backward baseball caps and and skateboards.

564
00:25:13.680 --> 00:25:16.079
They should be branded as much as badgie was.

565
00:25:16.319 --> 00:25:18.480
And it does take the idea.

566
00:25:18.539 --> 00:25:20.940
It started off with him saying that triple should be eaten.

567
00:25:21.059 --> 00:25:24.720
Now they are being eaten, but just as a brand.

568
00:25:24.779 --> 00:25:27.420
You'll be pleased to know that memory alpha suggests that that

569
00:25:27.420 --> 00:25:34.319
post-credits sequence, the ad for for the cereal might not be

570
00:25:34.319 --> 00:25:35.700
meant to be taken literally.

571
00:25:37.859 --> 00:25:40.200
They went to the effort of spelling that out for us.

572
00:25:40.259 --> 00:25:41.640
So it might not be canon.

573
00:25:41.700 --> 00:25:45.000
It's an invaluable resource memory alpha, yes.

574
00:25:45.900 --> 00:25:48.839
I prefer to think it is canon, no.

575
00:25:48.900 --> 00:25:50.819
There was a triple breakfast cereal.

576
00:25:50.880 --> 00:25:52.859
They probably was in the 60s.

577
00:25:52.920 --> 00:25:54.720
Yeah, yeah, yeah.

578
00:25:54.779 --> 00:25:57.119
It could be a historical document.

579
00:25:57.180 --> 00:25:58.980
For all we know.

580
00:25:59.039 --> 00:26:00.119
Oh, that was blissful.

581
00:26:00.180 --> 00:26:01.440
For 15 minutes.

582
00:26:01.500 --> 00:26:03.000
Yeah, yeah, yeah.

583
00:26:03.000 --> 00:26:04.019
That's wonderful stuff.

584
00:26:04.079 --> 00:26:05.279
I wish they would do it again.

585
00:26:05.339 --> 00:26:07.619
I wish they would do it again, but I guess there's enough going

586
00:26:07.619 --> 00:26:07.920
on.

587
00:26:07.980 --> 00:26:10.019
But this was them experimenting.

588
00:26:10.079 --> 00:26:12.359
I think and it's wonderful to watch them doing it in public.

589
00:26:12.420 --> 00:26:17.940
I've had forgive me, 15 minute wanks that were far less enjoyable

590
00:26:17.940 --> 00:26:19.019
than watching that, you know.

591
00:26:19.079 --> 00:26:19.980
Yeah, yeah.

592
00:26:20.039 --> 00:26:23.099
That's fair.

593
00:26:23.099 --> 00:26:27.779
And I think it entirely justifies the exercise of doing these

594
00:26:27.779 --> 00:26:28.559
short tracks.

595
00:26:28.619 --> 00:26:31.859
One, because it does offer an enticing glimpse of what's coming.

596
00:26:31.920 --> 00:26:36.299
The 2 they're just brilliant, tiny bits of television in their own

597
00:26:36.299 --> 00:26:36.660
right.

598
00:26:36.720 --> 00:26:37.859
Yeah.

599
00:26:37.859 --> 00:26:38.880
Yeah, wonderful.

600
00:26:38.940 --> 00:26:40.559
I can't wait for us to do more now.

601
00:26:40.619 --> 00:26:43.140
We'll see what else you've got to off up. absolutely.

602
00:26:52.740 --> 00:26:56.700
All right, it's the end of the episode, and it is time for us to

603
00:26:56.700 --> 00:27:00.539
work out what we're going to be watching next.

604
00:27:00.599 --> 00:27:02.700
I rolled the trouble with Edward.

605
00:27:02.759 --> 00:27:06.240
It's your turn now, Joe. What series are we choosing from?

606
00:27:06.299 --> 00:27:11.759
I'm going to do my, what I do every now and again and choose all

607
00:27:11.759 --> 00:27:12.240
of them.

608
00:27:12.299 --> 00:27:12.720
Yes.

609
00:27:12.779 --> 00:27:15.240
Because you never quite know what you're going to get.

610
00:27:15.299 --> 00:27:15.599
Yeah.

611
00:27:15.660 --> 00:27:20.160
But it will probably, statistically speaking, be a bad episode of

612
00:27:20.160 --> 00:27:21.480
Star Trek.

613
00:27:23.519 --> 00:27:25.799
Alright, well, let's find out.

614
00:27:26.880 --> 00:27:30.359
Your random Star Trek Voyager episode.

615
00:27:30.420 --> 00:27:31.259
Oh, right.

616
00:27:31.319 --> 00:27:34.140
It's season five, which I do love.

617
00:27:34.200 --> 00:27:36.180
I don't love this episode.

618
00:27:36.240 --> 00:27:39.299
Episode 4 in the flesh.

619
00:27:40.259 --> 00:27:44.099
It's the one where they go to Starfleet Academy, you know, it's

620
00:27:44.099 --> 00:27:46.980
the Species 8468 or whatever they're called.

621
00:27:47.039 --> 00:27:48.119
Oh, yeah, yeah.

622
00:27:48.180 --> 00:27:49.619
It's Species 90210.

623
00:27:49.859 --> 00:27:54.900
And the whole sort of this terrifying race. all ends very

624
00:27:54.900 --> 00:27:55.619
diplomatically.

625
00:27:55.740 --> 00:27:58.440
Yeah, that's kind of boring, isn't it?

626
00:27:58.500 --> 00:27:59.519
I think we should do that one.

627
00:27:59.579 --> 00:28:00.299
Okay.

628
00:28:00.359 --> 00:28:02.579
Well, then, skipping on too.

629
00:28:03.119 --> 00:28:06.420
You're, oh, we have done one of these recently.

630
00:28:06.480 --> 00:28:09.660
Your random Star Trek Deep Space 9 episode is tacking into the

631
00:28:09.660 --> 00:28:09.960
wind.

632
00:28:10.019 --> 00:28:13.079
Season 7, of course.

633
00:28:13.140 --> 00:28:14.400
Yeah, 22.

634
00:28:14.640 --> 00:28:17.759
And that is the one where Kira beats somebody up.

635
00:28:17.819 --> 00:28:20.039
I don't know if you remember me mentioning that a couple of weeks

636
00:28:20.039 --> 00:28:21.180
ago.

637
00:28:21.240 --> 00:28:22.259
I think you did.

638
00:28:22.319 --> 00:28:25.319
And this is the one where Worf throws someone through a table.

639
00:28:25.380 --> 00:28:26.099
It is.

640
00:28:26.160 --> 00:28:27.359
Yeah.

641
00:28:27.420 --> 00:28:29.640
It's pretty spectacular.

642
00:28:29.700 --> 00:28:32.700
I did say I wanted to go one way or the other.

643
00:28:32.759 --> 00:28:34.259
I think we should do it.

644
00:28:34.319 --> 00:28:36.000
I think we should definitely do it.

645
00:28:36.059 --> 00:28:38.279
I mean, it's another season seven.

646
00:28:38.339 --> 00:28:42.000
That means the rest of DS9 is being...

647
00:28:42.000 --> 00:28:45.299
Startingly unrepresented, but it's so good.

648
00:28:45.359 --> 00:28:46.980
I think we probably should Yeah.

649
00:28:46.980 --> 00:28:47.880
Yeah.

650
00:28:47.940 --> 00:28:49.319
And that final 10 is great fun.

651
00:28:49.380 --> 00:28:52.259
It'll be great to check in on it again and see what it's doing.

652
00:28:52.319 --> 00:28:55.380
It's got that scene where Ezri says to Wolf about the Klingon

653
00:28:55.380 --> 00:28:56.099
Empire dying.

654
00:28:56.160 --> 00:28:56.940
Oh, yeah.

655
00:28:56.940 --> 00:28:57.720
Is that it?

656
00:28:57.779 --> 00:29:01.019
It's Ron Moore's last DS9 episode.

657
00:29:01.079 --> 00:29:06.000
Yeah, so it's his chance to do that, to do the annual speech about

658
00:29:06.000 --> 00:29:07.920
how corrupt the Klingon Empire is.

659
00:29:07.980 --> 00:29:11.700
But also in the same breath. say, look, I'm gonna leave a mark on

660
00:29:11.700 --> 00:29:12.119
this show.

661
00:29:12.180 --> 00:29:15.779
If anything takes place after this, Garon ain't going to be in

662
00:29:15.779 --> 00:29:15.960
it.

663
00:29:16.019 --> 00:29:18.779
Yeah, yeah, that's pretty amazing.

664
00:29:18.839 --> 00:29:21.480
Because he did bring him in as well, didn't he?

665
00:29:21.539 --> 00:29:22.980
Yeah, brought him in.

666
00:29:22.980 --> 00:29:23.759
We saw the episode.

667
00:29:23.880 --> 00:29:25.619
Yeah, yeah, yeah, exactly.

668
00:29:25.680 --> 00:29:27.660
All right, let's do that. we do that for sure.

669
00:29:27.720 --> 00:29:28.440
Fabulous.

670
00:29:28.500 --> 00:29:28.980
Brilliant.

671
00:29:36.779 --> 00:29:40.559
You've been listening to Untitled Star Trek Project with Joe Ford

672
00:29:40.559 --> 00:29:44.700
and Nathan Bottomley, where online at untitled Star Trek Project

673
00:29:43.799 --> 00:29:47.519
com, where you can find subscription links and links to our social

674
00:29:47.519 --> 00:29:48.420
media accounts.

675
00:29:48.480 --> 00:29:52.799
Our podcast artwork is by Kayla Ciceran and the theme was composed

676
00:29:52.799 --> 00:29:54.119
by Cameron Lamb.

677
00:29:54.180 --> 00:29:58.500
This episode was recorded on the 27th of February 2024 and

678
00:29:58.500 --> 00:29:59.819
released on the 1st of March.

679
00:29:59.880 --> 00:30:04.980
We'll see you next time for Star Trek Deep Space 9, tacking into

680
00:30:04.980 --> 00:30:05.279
the wind.

681
00:30:20.400 --> 00:30:22.200
Yeah, let's get ahead.

682
00:30:22.259 --> 00:30:24.059
That's a good idea.

683
00:30:24.119 --> 00:30:24.720
Let's get ahead.

684
00:30:24.779 --> 00:30:27.000
I was thinking about that today because it was just kind of like

685
00:30:27.000 --> 00:30:28.619
this is sort of, we're assumed.

686
00:30:28.680 --> 00:30:29.400
Do you know what I mean?

687
00:30:29.460 --> 00:30:31.799
We've sort of settled into a routine, which works.

688
00:30:31.859 --> 00:30:35.279
It means that we don't have to plan anything, but it means you

689
00:30:35.279 --> 00:30:39.420
always have that specific amount of time from Tuesday to Friday.

690
00:30:39.480 --> 00:30:41.819
So you always have to put aside the same night.

691
00:30:41.880 --> 00:30:43.200
No, that's okay.

692
00:30:43.259 --> 00:30:43.680
I don't mind.

693
00:30:43.740 --> 00:30:44.400
That's perfectly fine.

694
00:30:44.460 --> 00:30:46.079
It's 2 hours.

695
00:30:46.140 --> 00:30:46.920
Do you know what I mean?

696
00:30:46.980 --> 00:30:48.420
It takes me to do a normal episode.

697
00:30:48.480 --> 00:30:50.339
We'll take it takes 2 hours.

698
00:30:50.400 --> 00:30:53.099
There's a bit of other stuff that needs doing, but basically

699
00:30:53.099 --> 00:30:53.819
that's it.

700
00:30:53.880 --> 00:30:56.039
And I'll do the rest of it tonight.

701
00:30:56.099 --> 00:30:57.779
Like, you send me the thing.

702
00:30:57.839 --> 00:30:59.220
I'll treat the video.

703
00:30:59.640 --> 00:31:02.700
I'll find a screen shot.

704
00:31:02.759 --> 00:31:07.740
I already have one, which is just a, Steel of book, looking

705
00:31:07.740 --> 00:31:08.460
beautiful.

706
00:31:10.019 --> 00:31:10.920
Any shot from the episode?

707
00:31:10.980 --> 00:31:13.200
Yeah, yeah, yeah, yeah, yeah, yeah.

708
00:31:13.259 --> 00:31:16.619
Although, if you find that one where, you know, the bit I pointed

709
00:31:16.619 --> 00:31:19.019
out. lighting on him there was...

710
00:31:19.019 --> 00:31:24.000
Well, yeah, yellow lighting, he was so stunning, but then he's

711
00:31:24.000 --> 00:31:24.839
blue.

712
00:31:24.900 --> 00:31:26.819
Like, he's got the blue lighting.

713
00:31:26.880 --> 00:31:31.319
They absolutely nail, like something, it is a thing that TV and

714
00:31:31.319 --> 00:31:33.839
film has not always been good at, and that's lighting black

715
00:31:33.839 --> 00:31:34.259
people.

716
00:31:34.259 --> 00:31:40.140
And it, like, he, like, you know, like how many of the leads, like

717
00:31:40.140 --> 00:31:45.480
Joanne, Michael and Borker, all black.

718
00:31:45.599 --> 00:31:47.819
Kind of lucky in DSN.

719
00:31:47.880 --> 00:31:51.000
We got all those weird lighting sources within the sets, haven't

720
00:31:51.000 --> 00:31:51.180
we?

721
00:31:51.240 --> 00:31:54.000
So Cisco's often lit beautifully.

722
00:31:54.059 --> 00:31:57.180
Well, because that's the great thing that they've managed to do

723
00:31:57.180 --> 00:32:01.859
with Discovery is to make a Federation ship look as interesting as

724
00:32:01.859 --> 00:32:05.279
Deep Space 9 with different. you know what I mean?

725
00:32:05.339 --> 00:32:08.519
Like, like, I think...

726
00:32:08.519 --> 00:32:09.839
You lost are more stylish.

727
00:32:11.460 --> 00:32:14.099
It's more expensive if they've got a lot more money, but what they

728
00:32:14.099 --> 00:32:18.180
don't do is the normal boring voyager gray corridors, you know.

729
00:32:18.240 --> 00:32:19.319
Or worse.

730
00:32:19.380 --> 00:32:21.000
The Enterprise, great corridors.

731
00:32:21.059 --> 00:32:22.380
Yeah, yeah.

732
00:32:22.440 --> 00:32:23.819
That's all Mac Gray.

733
00:32:24.359 --> 00:32:28.319
Listen, I'm going to scoop because you go, you go.

734
00:32:28.380 --> 00:32:29.039
Yeah, yeah, yeah.

735
00:32:29.039 --> 00:32:30.900
What I'll do is I'm looking at things.